John Cage

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In homage to one of my biggest inspirations, John Cage on what would have been his 106th birthday (yesterday) here is one of my pieces from 2016 replicating his indeterminate processes from his Ryoanji series of prints. On art, Cage said; “Art is a way of life. It is for all the world like taking a bus, picking flowers, making love, sweeping the floor, getting bitten by a monkey, reading a book, etc…Art is not separate from life (nor is dish-washing when it is done in this spirit)”.

Research Observations: 28/2

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Some thoughts, reflections and observations from todays research meeting.


Writing:

  • Importance of writing about the work as it is being created: tests whether one thoroughly understands the implications of what they’re doing, whilst clarifying and recording the processes by which it is done.
    –  Keep a diary open at all times so as recording observation and reflection become a continuous process.

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Studio Diary: 22/02

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The painting surface is a much more sparsely populated space with a more disciplined application of pigment. The tar-like black enamel paint (often applied using a turkey baster) pools onto, and bleeds into the un-primed canvas creating rich variations in texture and mark. Pollock’s wife, and fellow abstract painter Lee Krasner described these pieces as ‘painting with the immediacy of drawing… a new category’, a fitting analogy that closely captures the paintings direct and transient nature.
Painting with the immediacy of drawing: 15th March 2016

22/02/17
Painting with the immediacy of drawing:

There are some interesting elements arising from the continuous exploration and development of the ‘synthesis studies’:
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