“Art is the exposure to the joys and freedoms of a false world in order that we might recognise and locate them in the real world”
Some notes from my recent visit to PETER DOIG at the Michael Werner gallery in London.
Split between four rooms over two stories, the exhibition marks a refreshing and exciting approach to contemporary art exhibitions whilst offering a valuable and rare insight into the work and processes of a leading contemporary painter. Continue reading
Having created a number of visual pieces in recent months, many of which have been in response to, or using Jackson Pollocks later ‘pour’ paintings as a theme (see previous blog posts) I have been unsure as to the positioning of these pieces within a wider narrative of my current research concerns. Indeed, up to a point I have been unconcerned as to their apparent lack of conceptual context as primarily, they have acted as an outlet through which I have been able to tentatively feel my way back into some sort of a studio practice. Continue reading
20/01/2017: 15:05 Continue reading
- We have to destroy in order to create.
Birth and destruction are a part of life. In order to create we must first destroy.
So often when trying to resolve a painting we must destroy the very element we like most about the piece. In search of resolving a painting, one re-works and re-works the entire piece with the exception of our favourite part, resulting in an uneven composition. When our hand is forced to re-work our favourite element it is staggering just how quickly a piece can come together.
- “We execute a skill best in the place wherein it was developed”.
I read this quote a number of days ago and have found it never far from my consciousness ever since. Creeping back into my thoughts whenever I have an idle few moments.
The context of the quote was discussing the associations formed between environment and the process of education. However upon reading it, I was transported back to an old studio I inhabited a number of years ago. I recall after reflecting on the paintings I’d created in the studio, I observed the pieces were immediate products of their environment, and possessed a’dialogue’ with the environment in which they were created. So much so, that to exhibit them out of their original context would mean loosing much of their meaning and relevance. For creatives especially, the environment one resides / creates in (both physically and mentally), is of paramount importance. It not only has the ability to enhance what we do, through the likes of ambient music for example, but also feed into and grow our chosen practice or discipline.
- The power of the post-it.
The sheer impact that a daily and weekly to-do list scrawled upon the humble post-it can have upon ones life is simply breathtaking.
“Feelings are more dangerous than ideas, because they aren’t susceptible to rational evaluation”
“You have to systematically create confusion, it sets creativity free. Everything that is contradictory creates life.”
My approach to Art is somewhat unorthodox and contradictory.
Traditionally a visual entity – accessible through the eyes, the visual appearance is of course very important. Art has always been, despite the best efforts of many visionaries along the way,
I recently stumbled across an article on the BBC website entitled ‘How creativity is helped by failure’. The title immediately grabbed me as the general precept is a notion I have always held central to my work. Experience teaches me that risk taking is an integral part of creative practice – significant breakthroughs Continue reading